As my last blog mentioned, we couldn’t bring anything wooden to Australia if the wood was rough or not constructed into something by a carpenter or factory. This meant that 300 year old untreated Yew was definitely off the list! As that is some of the canvass stretcher for And It Was Good, that meant we needed to find a home. We chose with about 2 seconds of thought as the recipient was so clear. A dear friend who camps out in the woods, lives on the canal and adores nature and all things ‘real’ popped into our brains and there remained. We passed over the treasure on a dark night in Cambridge in September last year. It feels forever ago and we are delighted that And It Was Good has such a perfect home.
And It was Good was painted a while ago now and was what I was working on at Oxford’s Artweeks in 2007. Sitting at my stool with paints outside Oxford Prison was an amazing experience and I always think that painting outside inspired a lot of what eventually grew on the canvas. You can read about it here. The photo on the website is not very good (!) because though Pete did a fine job with the camera, I did a terrible job of removing the background! The painting is very three dimentional and removing my old brick studio wall was a task too tricky for this not very good Photoshop user.
The prints Clear Start, Night Sky and Creating Wand are details from And It Was Good and not only sold well during the 2023/24 tour, are still available for order. Do see my prints page.